Armed with an oxygen tank at all times, she’s still suffocated by a life mostly spent reading and watching reality TV to pass the time between hospital visits and group therapy. Weber and Scott Neustadter’s previous two dips into the romantic genre with “(500) Days of Summer” and “The Spectacular Now,” which have set the standard for authentic, poignant love stories amongst the young, their latest embodies the straightforward nature of its heroine Hazel, a 17-year-old afflicted with stage four thyroid and lung cancer who wears her heart on her sleeve. If “Fault in Our Stars” feels a little less nuanced than screenwriters Michael H. However, the film version of “The Fault in Our Stars” lives up to a more important one for the book’s legions of fans, judging by the many who could be heard sniffling in approval during the film’s regional premiere at the Seattle Film Festival.
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Presiding over a montage of dinner dates and passionate kissing that she warns will never arrive, it isn’t long before the second feature from Josh Boone breaks that promise, taking license in only the way a film could to set a romantic moment in Anne Frank’s house in Amsterdam where bystanders applaud and say what the characters can’t with an Ed Sheeran or Lykke Li tune always at the ready.
“This isn’t a movie,” insists Hazel Grace Lancaster (Shailene Woodley) at the start “The Fault in Our Stars” in the brisk and bold style that comes to define the adaptation of John Green’s much beloved novel.
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